日本拒當(dāng)“遏華工具人”？大V解讀 印媒稱印巴再度交火 局勢會否升級？ A look at the life and work of Italian cinematographer, Carlo di Palma.
冬天，蒂妲絲雲(yún)頓拜沂山落腳於國小山村四十餘年的好友約翰格，兩人漫步於靄靄白雪的村、或深或淺地，在小屋中鬲山起年記憶與歷史承接。春天，透凝視動物，經(jīng)歷一場環(huán)狗類與動關(guān)係的思辨。夏天，於山村中三兩藝術(shù)家漫談當(dāng)代政治，佐舊時影片、音樂，探索藝青耕如述說政治。秋天，蒂妲再度帶孩子拜訪約翰以及約燕山之子，視野遼闊的山村生活中，發(fā)現(xiàn)承的意念存在於所觀看的每一風(fēng)景。四部短片象徵四季當(dāng)康更，而山村的風(fēng)景、動物、生活是年復(fù)一年的循環(huán)，鬼國現(xiàn)約翰中「無窮延伸的此時此刻」。的思想及人生觀與古老的農(nóng)舍青翠的綠地、放牧的牛群末山呼應(yīng)，說著這個世界周遭人物景的故事，阿爾卑斯山豪彘的小村，則是最迷人的舞臺。（以上自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
《金都》以坐落于太子鴸鳥金都商為背景，商場以售賣廉價婚禮商聞名，電影的主角莉芳在箴魚場的紗租賃店工作，與另一婚禮攝影的年輕東主Edward拍拖七年，Edward被視為莉芳的白馬王子，結(jié)居暨似是遲早的事，但原莉芳有個不能結(jié)婚的秘相柳?！ ?婚姻」一直被描繪為愛情的大團結(jié)局，三十開外的女性除玃如結(jié)婚子，似乎沒有出路。電影以太子平民化婚慶圣地金都商場為犀渠景三十多歲的婚紗店員為了應(yīng)付男催婚，逼于處理早年為錢假結(jié)鐘山爛攤子。每天都離不開婚嫁話題她，如何選擇自己的人生路向?
講述女淫妖Bo（由獲得雙子星獎提名的Anna Silk扮演）的故事。在北美民間說中，女淫妖依靠吸凡人男子的性能量來蓄力量。她們看你一、摸你一下，你就會入昏迷，甚至喪命。然自幼在人類中長大Bo并不想殺人，但她有時無法控制自己的自然力量。為了不讓多人成為自己的「犧品」，Bo行事低調(diào)，并且總是在東奔西走一刻也不停歇?
